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Four assignments that ship out of the box.
The freshman-comp canon, prewritten and Coach-Mode calibrated. A comp coordinator running four sections of EN 110 spins up an argumentative essay, a research paper, a rhetorical analysis, and a literature review in one afternoon, with prompts a TA can assign without rewriting them.
Available templates
- When a coordinator picks this
- First major writing project of the semester. Builds thesis-and-evidence discipline before research-paper scope arrives.
- The starter prompt the student sees
- Pick a claim you can defend in 1,200 to 1,800 words. The claim should be one a reasonable person might disagree with. Lay out the position in your introduction, then build your case in three to five body sections. Each section should advance your claim with evidence, and should address at least one obvious counterargument before moving on. End with a conclusion that does not summarize, but answers the question your essay made the reader ask.
- Craft cues a teacher can layer in
- Name the strongest counterargument before you answer it.
- Lead each section with a claim, not with a source.
- Quote sparingly. Paraphrase carries your voice; quotation moves the source's voice into yours.
- When a coordinator picks this
- Mid-to-late semester. The student has handled the argumentative essay; now they can do it with primary sources.
- The starter prompt the student sees
- Pick a question that does not have an obvious answer in the literature. State the question in your opening section, summarize what the existing scholarship says about it, identify the gap or the contradiction your paper will sit in, then build your answer with primary sources. Aim for 2,500 to 3,500 words. Cite consistently in whatever style your section uses; whichever style you choose, use it on every reference.
- Craft cues a teacher can layer in
- Introduce each source the first time you cite it. Do not assume the reader knows them.
- The literature review is not a survey. It is the map of where your question lives.
- Primary sources are not props for your argument. They are the data; your argument is the reading of the data.
- When a coordinator picks this
- Anywhere in the semester. Sharpens close-reading discipline transferable to every other genre.
- The starter prompt the student sees
- Pick a single text — an essay, a speech, an op-ed, a podcast monologue, a social-media thread — that does something rhetorically interesting. Analyze how the text persuades its audience, not whether you agree with its conclusion. Identify the rhetorical situation (who is speaking, to whom, in what context), name two or three rhetorical moves the text makes, and show how each move does its work. Use direct evidence from the text. 1,000 to 1,500 words.
- Craft cues a teacher can layer in
- The analytical claim is about HOW the text works, not WHETHER the argument is correct.
- Lead with the move you are about to analyze. Then quote. Then read.
- Do not summarize the text. Assume the reader has read it.
- When a coordinator picks this
- Often paired with the research paper. Builds the skill of reading sources for their relationships to each other, not just for their content.
- The starter prompt the student sees
- Pick a focused scholarly conversation — a question, a debate, or a theoretical move — that has at least six to eight substantive sources you can engage with. Map the conversation: who agrees with whom, where the contradictions sit, what the major shifts have been over time. End by positioning yourself: not by stating an opinion, but by naming the question you would take up next given the current state of the literature. 1,500 to 2,200 words.
- Craft cues a teacher can layer in
- Group sources by what they argue, not by when they were published.
- The structure of your review is itself an argument about how the conversation is shaped.
- Your positioning at the end is a research question, not a conclusion.
Why we publish the prompts
Buyers should be able to read the prompts before they buy.
A comp coordinator looking at writing tools cannot evaluate a template they have not read. Most products keep their starter content behind a sales call. We do not. The prompts above are what your TAs would assign on Monday. If they would not assign them, this is the wrong tool, and you should find that out without giving us your email first.
Calibrated for Coach Mode means each prompt frames the work in a way the Coach can support without violating its own rules. None of them include phrases that trigger the Coach's refusal patterns. The full Coach Mode taxonomy lives at /education/coach-mode.
Spinning up your fall schedule.
- Comp coordinators with four or more sections: the new-classroom page supports bulk creation. Paste your section list (one section per line), name them however your registrar names them, and they all land in the same organization. TA observers go in afterward through the per-section invite flow.
- TAs observing without teaching: the consultant role gives a TA read-only access to the sections you scope them to, with the same comment and Coach-history visibility a teacher gets, but without org-wide editorial rights. See the for-teachers page for the invite shape.
- Walking through a syllabus with us: email hello@creader.io with your fall syllabus. We will return a per-assignment mapping (which template fits which week, where to deviate) within two business days.